FMA2018 Programme
The programme
of AAWM 2018 is given here.
The parallel programme and timetable
of AAWM 2018 and FMA 2018 is given here.
You can download or view the complete programme and Book of Abstracts here.
Wednesday 27 June
Session 1. RHYTHM and TIMBRE
|
9:00-9:30 |
Pierre
Beauguitte, Bryan Duggan and John D. Kelleher: Rhythm inference from audio recordings of Irish traditional music |
|
9:30-10:00 |
Luis
Jure and Martín Rocamora: Subiendo la llamada: Negotiating tempo and dynamics in Uruguayan Candombe drumming |
|
10:00-10:30 |
Olof
Misgeld and Andre Holzapfel: Towards the study of embodied meter in Swedish folk dance |
|
10:30-11:00 |
BREAK |
|
11:00-11:30 |
Marcelo
Queiroz, Katerina Peninta, Roberto Bodo, Maximos Kaliakatsos-Papakostas
and Emilios Cambouropoulos:
Perception of asymmetric rhythms in traditional Greek music |
|
11:30-12:00 |
Asterios Zacharakis, Konstantinos Pastiadis and Athena Katsanevaki: Tension perception in Greek traditional folk music: Examining the role of timbral semantics |
Session 2: TRANSCRIPTION and RECOGNITION
|
13:30-14:00 |
Sven
Ahlbäck: The Hidden Modes: A computer-assisted approach to tonality analysis of Swedish Folk Music |
|
14:00-14:30 |
Geert
Maessen and Darrell Conklin: Two methods to compute melodies for the lost chant of the Mozarabic rite |
|
14:30-15:00 |
Islah Ali-Maclachlan, Carl Southall, Maciej Tomczak and
Jason Hockman: Player recognition for traditional Irish flute recordings |
|
15:00-15:30 |
BREAK |
|
15:30-16:00 |
Emir
Demirel, Barış
Bozkurt and Xavier Serra: Automatic makam recognition using chroma features |
|
16:00-16:30 |
Sonia
Rodríguez, Emilia Gómez and Helena Cuesta: Automatic transcription of flamenco guitar falsetas |
KEYNOTE
|
17:00-18:00 |
Emmanouil Benetos:: Automatic Transcription of World Music Collections |
Thursday
28 June
Session 3: CULTURE, ANALOGY, EMBODIMENT, CREATIVITY
|
9:00-9:30 |
- |
|
9:30-10:00 |
Stella
Paschalidou, Martin Clayton and Tuomas
Eerola: Effort-voice relationships in interactions with imaginary objects in Hindustani vocal music |
|
10:00-10:30 |
Costas Tsougras, Maximos
Kaliakatsos-Papakostas and Emilios
Cambouropoulos: Creative harmonisation of folk melodies |
|
10:30-11:00 |
BREAK |
|
11:00-11:30 |
George
Athanasopoulos: Imitations-transformations: Birds of paradise in performance from the central provinces of Papua New Guinea |
|
11:30-12:00 |
Christian Benvenuti: An information ethics-centred approach to music as intangible heritage |
Session 4: SIMILARITY, REPETITION and SEGMENTATION
|
13:30-14:00 |
Matevž Pesek, Manca Žerovnik, Aleš Leonardis and Matija Marolt: Modeling song similarity with unsupervised learning |
|
14:00-14:30 |
Geert
Maessen and Peter Van Kranenburg:
A non-melodic characteristic to compare the music of medieval chant traditions |
|
14:30-15:00 |
Chris
Walshaw: Visualising melodic similarities in folk music |
|
15:00-15:30 |
BREAK |
|
15:30-16:00 |
Iris
Yuping Ren, Hendrik Vincent Koops,
Dimitrious Bountouridis,
Anja Volk, Wouter Swierstra
and Remco Veltkamp: Feature analysis of repeated patterns in Dutch folk songs using Principal Component Analysis |
|
16:00-16:30 |
Matija
Marolt: Going deep with segmentation of field recordings |